Toledo en la canonización de Fernando IIIprograma artístico de la celebración

  1. David Sánchez Sánchez 1
  2. Laura Illescas Díaz 1
  1. 1 Universidad de Salamanca
    info

    Universidad de Salamanca

    Salamanca, España

    ROR https://ror.org/02f40zc51

Book:
Vestir la arquitectura: XXII Congreso Nacional de Historia del Arte
  1. René J. Payo Hernanz (coord.)
  2. Elena Martín Martínez de Simón (coord.)
  3. José Matesanz del Barrio (coord.)
  4. María José Zaparaín Yáñez (coord.)

Publisher: Universidad de Burgos

ISBN: 978-84-16283-64-4

Year of publication: 2019

Volume: 1

Pages: 1137-1141

Congress: Congreso Nacional de Historia del Arte (22. 2018. Burgos)

Type: Conference paper

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Abstract

The canonization of King Fernando III, in 1671, meant for Spain the culmination of a project of identification with counterreformist principles. As a result, the Crown promoted festivities throughout the national territory. In Toledo, thanks to the interaction between civil and religious powers, there was an intense transformation of the streets with multiple ephemeral architectures, in whose execution great personalities such as Juan Carreño de Miranda and Francisco Rizi participated.

Data source: Dialnet